By Andrew Laird
The amount makes generally to be had a few vital scholarship at the canonical texts of historical rhetoric and poetics. whereas there are various reports of basic developments in classical feedback, this assortment bargains direct discussions of basic resources, which supply an invaluable significant other to the Russell and Winterbottom anthology, old Literary feedback. the amount includes a chronology, feedback for additional analyzing, a brand new translation of Bernays' 1857 essay on katharsis, and a massive introductory bankruptcy addressing the strain in historical literary feedback among its position within the classical culture and its position in modern endeavors to reconstruct historic tradition.
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Additional resources for Ancient Literary Criticism (Oxford Readings in Classical Studies)
The poet composes with great ease and ﬂuency, sometimes with extreme speed. No subsequent revision is necessary. Composition may be accompanied by an unusually heightened state, variously described as frenzy, intoxication, enthusiasm or ecstasy. Such a state can only be temporary and does not depend on the will of the poet. ⁄‹ The basic feature in all these experiences of inspiration seems to be the feeling of dependence on some source other than the conscious mind.
Macrobius, a Latin author who wrote some time before Proclus, produced a commentary on Cicero’s Dream of Scipio, and the Saturnalia— a sequence of dialogues set in the 380s ad. The commentary on Scipio’s dream in Cicero’s De republica is a vehicle of Neoplatonic thought. As well as exhibiting the inﬂuence of Plotinus, this work seems to cite a lost commentary on the Timaeus by Porphyry. Macrobius’ approach certainly resembles that of his predecessor’s treatment of the Cave of the Nymphs, in so far as it provides a rich allegorical intepretation of the philosophical, scientiﬁc, and mystical elements discerned in the source text.
The remarks on the vividness of the historic present tense (25. 1). ‡‚ L. , tr. V. Tomas (Indianapolis, 1960); B. Croce, Aesthetic as Science of Expression and General Linguistic, tr. D. Ainslie (New York, 1966). The ﬁrst chapter of S. T. Coleridge, Biographia Literaria (1817) is a locus classicus for the Romantic view that expression was inseparable from thought. See F. L. Lucas, Literature and Psychology (London and Toronto, 1951); G. Orsini, ‘Expression, theory of’, in the Princeton Encyclopedia of Poetry and Poetics (Princeton, 1965), 266–7; and bibliography on ‘Author, Authority, and Inspiration’ in Suggestions for Further Reading, 10 ‘Modern Literary Categories and Ancient Theory’.
Ancient Literary Criticism (Oxford Readings in Classical Studies) by Andrew Laird