By Burton D. Fisher
Giordano's ANDREA CHENIER, that includes significant Characters, short tale Synopsis, tale Narrative with song spotlight Examples, and a accomplished and insightful research and observation.
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Additional info for Andrea Chenier (Opera Journeys Mini Guide)
His noble humanistic ideals are earnestly expressed in his first act aria, the “Improviso,” “Un di Opera Journeys Mini Guide Series Page 32 all’azzuro spazio,” the text abounding with poetic metaphors that are dramatized by a combination of sublime lyrical explosions and declamatory harangues, in which the idealistic poet challenges aristocratic hypocrisy and makes a fervent plea for human compassion. ” All of Giordano’s music for the idealistic young Andrea Chénier is endowed with powerful passions: his impetuous yearning for love in Act II, “Bella ideale divina come la poesia,”; the Act III defense of his honor, “Si fui soldato”; and in Act IV, “Come un bel di di maggio,” his final capitulation to destiny while in prison awaiting the guillotine.
Bitterly, Gérard observes his trembling old father who has sacrificed his life and soul in servitude. But the more horrendous crime is that his father perpetuated that suffering to his own sons. ” (“I hate you gilded house! You are the image of a world of vanity and powder. ”) Gérard predicts the forthcoming Revolution, confident that this great historical transformation of society will fulfill its enlightened promises and reverse human injustices. ” (“Your fate is sealed! You are an ugly and corrupted race of dandies and felons.
You are the image of a world of vanity and powder. ”) Gérard predicts the forthcoming Revolution, confident that this great historical transformation of society will fulfill its enlightened promises and reverse human injustices. ” (“Your fate is sealed! You are an ugly and corrupted race of dandies and felons. I, a son of servants, and a servant in livery shall be your judge in livery. ” In Act III, Gérard has experienced his epiphany and now searches for truth: his aria, “Nemico della patria,” is perhaps the dramatic centerpiece of the entire opera, Gérard’s moment of profound introspection, in which he communicates with his conscience and realizes that all he has achieved is that he has become a slave who recycles hatred and tyranny.
Andrea Chenier (Opera Journeys Mini Guide) by Burton D. Fisher